Among all other soloists, Sara Blanch, the soprano, shone as the capricious Countess Adèle, with a perfect technique in all registers, with a voice of great technical competence, solving in a proficient way the most demanding scales and ornaments and passing, effortlessly, through the highest notes and a frantic "parlando", becoming, thus, a true discovery in these representations.

Sara Blanch breathed into her Countess not only a great scenic grace but also an undeniable vocal eloquence, solving her great aria (originally, a page of the Countess of Folleville in Il viaggio a Reims) with powerful attacks, impeccable coloratura and a sensual timbre, leaving, altogether, a delicious impression.

Sara Blanch served the role of the Countess with the clear and ringing instrument of a light soprano, capable of a sparkling coloratura. That was evident in her great aria, "In proie à la tristesse" in which she regrets her melancholy, when, actually, she is just crying for losing her hat, as Contessa di Folleville in the Il Viaggio; surely, the climax of the evening.